GATE TO GATE

Gate to Gate is an ongoing project that exists within - and drums along with - the beating heart of the world of film on film.

Celebrating celluloid film, told through the journey of images and light; releasing dreams and magic. 

1-minute promo project

Gate to Gate is a 1-minute promo in development: an engaging and digestible moment, which aims to pique its audience interest in celluloid film as a medium.

Set across generations, G2G explores the importance of handing down the knowledge and joy of making and watching film on film, conveying its timeless relevance without reducing it to a nostalgic relic of cinema-past.

This is a project that will be close to the hearts of film-lovers everywhere. It’s an opportunity to enliven the modern audience’s engagement with this beautiful format.

Ultimately, G2G will be a 1-minute trailer shot and distributed on 35mm film to every cinema around the world still projecting film. A true celebration of celluloid and the magic of the moving image.

In a nutshell:

We follow a filmmaker as she discover’s her father’s 8mm camera, onto experimenting with 16mm film as a teen, and finally with her as her first 35mm feature film premieres. Alongside the unfolding of a life, we watch the story of the celluloid film she uses in parallel as well as the precious & precise work that goes into printing film, showing the technicians and projectionists that work so carefully and lovingly behind the scenes. In turn, we see how, in so many ways, celluloid film mirrors an individual human life in its physical nature and its unique story. No two prints, nor two lives, are identical.

MEET THE MAKERS

joe cornick and the slindon cinema

Joe’s move into cinema and film production began from an early age in film photography. The creation of images and assembly of visuals to form a narrative guided Joe towards a deep passion for storytelling and desire to capture the world around him.

Joe now works in London as a Cinematographer and continues to bring his extensive knowledge and passion for film and Cinema to each project he works on.

SOPHIE LIPSEY PRODUCER

Sophie Lipsey is a producer and the head of creative development at New Sparta Productions.

Sophie joined New Sparta in 2021. Since then, she has been part of the production team on several international productions across the UK, USA, Italy and the middle-east. She co-produced the upcoming feature film Lone Star Bull and was an associate producer on this year’s action-comedy Mafia Mamma as well as the upcoming Saudi-British drama To My Son.

Sophie has the ongoing pleasure of working with some of the most exciting established and emerging talent (both on and off screen) across the world.

At the age of 17 Joe’s passion for analogue film led him to start Slindon Cinema - an initiative to reinstall celluloid projectors into his local 1930’s village hall. The Cinema project has continued to run purely 35 and 16mm films for nearly 5 years, going from strength to strength and gaining support across the film and cinema industry.

The cinema is remarkably one of the only remaining cinemas in the world to exclusively screen films on film: monthly weekend screenings over the autumn/winter months.

Why NOW?

The number of cinemas screening celluloid film around the world is currently at an all time high since the format was globally replaced by digital as the standard for projection and film distribution in the late 2010’s.

In a bid to give modern audiences an alternative viewing experience to automated digital projection, more cinemas are commissioning their older analogue film projectors into service once again.

Recent big titles release on 35 and 70mm have fuelled public interest in viewing cinema on physical formats.

This project aims to convey the journey that film takes in order to make it onto the screen: and it’s this journey that makes celluloid film so special and vital to uphold as a medium.

CURRENTLY…

The promo is currently in development. The team is sourcing funding and further support from the film community.

Kodak and Panavision have agreed to sponsor the project, providing film stock, lab processing & cameras and lighting respectively. This invaluable support from two of the largest industry players has allowed the project to capture its maximum creative potential and also speaks to the existing belief in what we’re doing.

We’re also out to iconic cinemas for a shooting location to give the promo the ideal aesthetic quality.

We’re open to exploring any avenue of collaboration - funding, production, distribution - though crucially with a partner that shares this love of, and care for, celluloid.